By BEC SPARROW
It’s been magic, hasn’t it?
TV this year. It’s like we rediscovered our ability to make fabulous drama, to tell our own stories. And baby, when we tell Australian stories we nail it. (As compared to when we try to rip off American reality TV concepts — Being Lara Bingle, The Shire, anyone? — in which case we implode like Bob Katter’s head during Mardi Gras.
Channel 10 made some truly bizarre programming decisions (choosing a controversial Kiwi to host Breakfast, axing The Circle and anyone else remember the blink-and-you-miss-it Everybody Dance Now? I’m still not sure why that show didn’t work but it didn’t.).
On the positive, they have The Project which (for me) is the perfect mix of news, chat and Dr Chris Brown. Channel 7 coasted along not taking any big risks but continuing to deliver likeable content like Downton Abbey and My Kitchen Rules and the type of content that makes you want to stick a fork in your eye … like Beauty and the Geek).
And Channel Nine finally got back in the game. It’s like they went into Cash Converters, bought some old, tired shows and revamped them (The Voice is the new Australian Idol, Big Brother is back and all of a sudden they’re snapping up Australia’s Got Talent). Finally, the ABC showed everyone else how to program decent shows with In Gordon Street Tonight, MABO, The Gruen Transfer, Rake, Miss Fisher’s Murder Mysteries and Q & A. I don’t think I watched SBS at all except for Insight. But Insight is THE BOMB. So there.