by VICTORIA BIRCH
The music contained in the following clip may not be your thing. You may not appreciate apoplectic guitars or vocals spat out like bullets. It doesn’t matter.
The music may not interest you but the fate of the women in this video matters to each and every one of us.
The women in the acid bright balaclavas form the feminist punk band Pussy Riot. Over the last few weeks the band has dominated global news cycles as three of its members stood trial in Russia for “hooliganism motivated by religious hatred or hostility”.
On February 21 this year, Pussy Riot staged an unauthorised performance of their anarchist song ‘Hail Mary, Expel Putin’ in Moscow’s Cathedral of Christ the Saviour. Subsequently, band members Nadezhda Tolokonnikova, Yekaterina Samutsevich and Maria Alekhina were arrested.
The three women have since been convicted and sentenced to two years in a penal colony.
At first glance it may appear as if Pussy Riot’s subversion of Russia’s authoritarian conservatism amounts to little more than youthful insurrection; kids sticking their fingers up at the system through shock and awe tactics.
Pussy Riot is so much more than that.
Using flash-mob style performances, the women shake public spaces with day-glo colours, flags, smoke and noise. The performances are never aimless attention seeking exercises. These eye-popping exhibitions (videoed and posted on the web) are designed to make the world take notice, designed to ensure as many people as possible hear the women’s politically charged message.
That message is primarily focused on undermining Russia’s Prime Minister, Vladimir Putin. His re-election earlier this year was dogged by suspicions of carefully managed corruption and there is disquiet about his ties with the Russian Orthodox Church. In a supposedly secular country, Putin’s favour with the influential head of the church, Patriach, Krill I, is what drove Pussy Riot to perform their ‘punk prayer’ at the Moscow cathedral.