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On the surface, Netflix's new mystery drama The Perfect Couple feels like a paint-by-numbers approach to creating a prestige series in 2024.
The story is set in a picturesque location with sweeping views, as a cast of famous faces — all clad in luxurious costumes — portray a series of rich yet unlikeable characters. A murder unfolds early on in the piece, forcing you to push forward to find out who did it — even if the initial setup doesn't really grab your attention.
It would be easy to compare this new six-part series to The White Lotus — the other buzzy 'rich people in pretty location faced with a murder mystery' success of recent years — even though the best-selling novel The Perfect Couple by Elin Hilderbrand on which the show is based, came out back in 2018.
Yet despite the fact that both shows have an initially similar feel (and both star Meghann Fahy) The Perfect Couple quickly draws you into its sumptuous yet scathing world. It's a world that follows a storytelling formula we've come to expect, but is deliciously bingeable nonetheless.
After starring in The Undoing, Big Little Lies, and Nine Perfect Strangers it's clear that when it comes to her TV roles, Nicole Kidman is at her best when she's donning an interesting wig and playing a wealthy, mysterious woman with a secret she needs to keep.
This is exactly why she's in fine form in The Perfect Couple, in which she stars as Greer Garrison Winbury, a famous novelist and matriarch of the extremely wealthy Winbury family. Also in the Winbury clan are her husband Tag Winbury (Liev Schreiber), and their sons Thomas (Jack Reynor), Benji (Billy Howle) and Will (Sam Nivola).
We first meet this well-to-do yet extremely dysfunctional family in the days leading up to middle son Benji's opulent wedding to Amelia (Eve Hewson) at the Winbury's waterside Nantucket estate. While Benji is head over heels for Amelia, a zoo worker from a much more humble background, Greer is less than thrilled about her son's choice of wife. She makes Amelia aware of her disapproval via a series of cutting backhand remarks in the lead-up to the rehearsal dinner.