On November 8, 2016, Prince Harry released a remarkable, unprecedented statement.
It was a week since news of his relationship with the actress Meghan Markle was made public, and his frustration had boiled to a point he decided it must be made public.
“The past week has seen a line crossed,” the statement read. “His girlfriend, Meghan Markle, has been subject to a wave of abuse and harassment. Some of this has been very public – the smear on the front page of a national newspaper; the racial undertones of comment pieces; and the outright sexism and racism of social media trolls and web article comments.”
Markle was widely considered as a trailblazing choice for the incredibly white royal family, given her half-Caucasian, half-African American heritage.
The British press had met news of their relationship with overwhelming coverage; much of it racist. The royal family’s statement was decisive, firm and absolute: They had no time for discrimination in any form.
Fast forward a year and one month, and Markle – now the fiancée of Harry – is invited to the royal family’s Christmas celebrations. Among the many paparazzi photos taken of each family member arriving, is one of Princess Michael of Kent. She’s wearing a beige coat, black turtleneck and a brooch that has since garnered international attention.
The brooch itself – a piece of ‘Blackamoor’ art – was first spotted by Lainey Gossip and points to a quiet truth about Markle’s entrance into the royal family: Perhaps Prince Harry’s fears for Markle encountering racism in the role wasn’t exclusive to the public. That in fact, some if it lies within his own family.