This article originally appeared on Holly Wainwright's Substack, Holly Out Loud. Sign up here.
Sometimes, as a writer, you're just casting around for inspiration, waiting for the muse to strike.
And then you find a plastic bag in your husband's secret sex lair, tied at the handles and filled with butt plugs and lube.
And, just like that, the creative block is cleared.
West End Girl, in case you chose this past week for a digital detox, is Lily Allen's new album, and it's a masterpiece of painful, brutal storytelling, with bops. It's also her first record in seven years.
Listening to it — and I encourage everyone over the age of 18 to do so — is like hearing your most unfiltered friend telling you her divorce story. One that starts with a plucky young bride putting the key in the lock of her dream home, and ends with dirty sheets, sex toys, and a booking for a facelift.
Watch: Lily Allen's 'Madeline' came forward…and we have thoughts. Post continues below.
Listening chronologically, we travel through a soundscape of texts to and from one Other Woman, dates our friend went on to try to beat her husband at his own game, and we urge her to step back from the edge of oblivion as she wonders what will get her through this hell — a drink, a Valium — as a recovering addict.

























