I am 30-years-old and by pretty much anyone’s measure, I’m a grown-up.
I am a mother and a wife. I pay tax. I drive a car. I’m writing a book. I drink coffee. I own shares. I floss. I watch Insiders. I have an accountant. I even remember to put the recycling out in time for bin collection night…
And last week I laughed so hard at a joke about burps that I tested the very limits of my pelvic floor.
I was at the the Princes Theatre in Melbourne to see Tim Minchin’s musical, Matilda (which is based on the book of the same name by the late, great children’s author Roald Dahl). Matilda tells the story of a 5-year-old girl with awful parents, who loves to read and develops magic powers which she then uses to teach nasty grown-ups the lessons they deserve.
Matilda the Musical. Post continues after video…
The musical has been a hit on Broadway and the West End. And it’s been applauded for how cleverly the novel has been translated from page to stage. The choreography is childlike, the music enchanting, the lyrics in equal parts ridiculous and sweet and there is adorable child cast whose talent is off the hook.
At least, that’s what you’d read on the show’s poster blurb.
But the truth of this show is far more than that.
It took me back to the joy, the silliness and the wonder of childhood. Instead of enjoying Matilda through the critical, unbelieving eyes of an adult, I felt like another child member of the audience. That rare sensation of being transported totally and utterly into someone else’s world began with the opening number and remained until the final curtain call.