For years, Benedict has been Bridgterton's most tantalising enigma — the artist who preferred the shadows of the studio to the glare of the ballroom. The man whose heart seemed too vast for the rigid boxes of Regency society.
Now that his season has finally arrived, the world is rightfully obsessed with the sweeping, fairytale romance between him and Sophie Baek. Yet, beneath the gorgeous gowns and orchestral pop covers, a different kind of obsession is spreading across the internet.
A heated debate has taken hold of the fandom, centred on a single, frustrating misconception that suggests Benedict's path to the altar is somehow a detour from who he truly is.
Watch: Bridgerton showrunner on Benedict's love story in Season 4. Article continues after video.
For three seasons, Benedict served as the show's resident bohemian, his curiosity acting as a gateway to the more progressive fringes of society. We watched his eyes linger on Sir Henry Granville in the first season, and we saw his world expand significantly during his exploratory relationship with Lady Tilley Arnold and Paul Suarez.
He has always been and continues to be complex but entirely himself. But somehow the central commentary currently trending online seems to continue to stem from a very rigid, binary, and frustratingly common view of sexuality.
Many fans feel that because this season focuses on Benedict's romance with Sophie, the show has walked back his queerness to appease a traditional audience. Commentary is circulating claiming that the writers made him "straight" again or that his previous arc was merely pointless filler.


























