
If you squint at the screen, the opening scene of And Just Like That season three feels like a stolen moment from Sex and the City.
Carrie (Sarah Jessica Parker), Charlotte (Kristin Davis) and Miranda (Cynthia Nixon) are standing in a noisy yet chic New York bar, clutching fancy-looking cocktails and having a conversation about dating filled with enough quips to rival the number of shoes in Carrie's closet.
The only slight twist to the story is that this time around, the trio is standing in a lesbian bar hoping to find a lucky lady for Miranda to hook up with now that her relationship with Che Diaz (Sara Ramirez) is officially a thing of the past.
It's a delicious yet fleeting moment in time, and something that feels like a begrudging gift from Sex and the City writer, and And Just Like That creator, Michael Patrick King, who is also the writer and director of this particular episode. A man who infamously likes to bring his fans unexpected moments of joy and then, the next second, yank them away with a plotline designed to subvert expectations (and crush the souls of die-hard fans worldwide).
It was during this first scene of the And Just Like That season three premiere that I had to acknowledge I had just broken the golden rule that allows anyone to enjoy this series. Which is not spending every second peering at the screen searching for glimmers of a show that ended more than two decades ago. Instead of enjoying it in its new form and leaning into a different new world.
And yet, during the season three premiere, I allowed myself a brief moment in time to quickly indulge in the Sex and the City nostalgia that was being presented to me on a silver TV platter (especially since I had poured an old-school Cosmo just for the occasion).